by John S.
Movie Postmortems is a series that reviews certain films which showed promise but misfired, critically and/or commercially, upon release. Join us in our attempt to find out exactly what the hell happened.
THE CASUALTY: Catwoman
THE CASE HISTORY: June 1992. Tim Burton’s Batman Returns, the follow-up to his very successful Batman, opens to the biggest weekend box-office numbers up until that point in time, about $45 million. Although it finishes commercially about $90 million less than Batman’s overall domestic take ($251 million vs. $162 million), critical notices are strong. A near-universal favorite is Michelle Pfeiffer as Selina Kyle/Catwoman.
by Norm Nielsen
Dangerous Men is an 80-minute film with production values so awful it’s impossible to ascertain if they are laughably intentional or laughably naive. Dangerous Men exuberantly showcases bad directing, bad acting, a bad film score, bad songs, bad sound, and bad screenwriting. Scenes feature fat men in ill-fitting white Jockey shorts, knee fetishism, amateurish fight choreography, repulsive nudity, and a female killer who hides a knife in her butt crack. In one memorable scene, a police chief obviously reads from the yellow-highlighted script on his desk while talking on a phone that is not plugged in. Different actors play the same role (presumably due to the years-long shooting schedule) while tangential subplots appear and disappear with no resolution. The film’s poster is poorly punctuated. And this is only a short list of the film’s many OMG details.
by Jensen Ward
31 days. October 2017. “The Horror! The Horror!”
adjective, Denoting or relating to a genre of films that typically have a science fiction, horror or fantasy theme and were made on a low budget. –Oxford English Dictionary
It’s that time again. A whole month of psychotronic viewing, with one new category for every day in October! Are you up to the challenge?