New Releases for November 14!

Hey everyone! The person who puts together these weekly posts (me) is on vacation right now. We’ll be back as usual next week! Until then here’s a quick list of this week’s new releases!

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Movie Postmortems: CATWOMAN

by John S.

Movie Postmortems is a series that reviews certain films which showed promise but misfired, critically and/or commercially, upon release. Join us in our attempt to find out exactly what the hell happened.


THE CASE HISTORY: June 1992. Tim Burton’s Batman Returns, the follow-up to his very successful Batman, opens to the biggest weekend box-office numbers up until that point in time, about $45 million. Although it finishes commercially about $90 million less than Batman’s overall domestic take ($251 million vs. $162 million), critical notices are strong. A near-universal favorite is Michelle Pfeiffer as Selina Kyle/Catwoman.

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DANGEROUS MEN: A Dreamer’s Midnight Movie Realized

by Norm Nielsen

Dangerous Men is an 80-minute film with production values so awful it’s impossible to ascertain if they are laughably intentional or laughably naive. Dangerous Men exuberantly showcases bad directing, bad acting, a bad film score, bad songs, bad sound, and bad screenwriting. Scenes feature fat men in ill-fitting white Jockey shorts, knee fetishism, amateurish fight choreography, repulsive nudity, and a female killer who hides a knife in her butt crack. In one memorable scene, a police chief obviously reads from the yellow-highlighted script on his desk while talking on a phone that is not plugged in. Different actors play the same role (presumably due to the years-long shooting schedule) while tangential subplots appear and disappear with no resolution. The film’s poster is poorly punctuated. And this is only a short list of the film’s many OMG details.

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