Connection, Revelation, and the Reluctant Giant: Why Children Film Their Parents

nobody's business

by Melanie Reed

We love them, we hate them, we fear them, we want to be like them, we want to be unlike them, we want them to love us. These thoughts about our parents shape our lives. For their part, they love us, they neglect us, they compete with us, and they retain a memory of when we were still in diapers. Why make a film about one’s parents? Documentary “tributes,” as appropriate as they may be if the parents are aging or famous, become more interesting when family connections are also explored, in ways that let a complex shape unfold. These kinds of film treatments approach a suspenseful mystery story that, in including many angles, is often only partially revealed.

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Cinema Collectibles #9: Soundtrack LPs

greg's lps

by Greg Carlson

Another Record Store Day is upon is, and the vinyl business is a-booming. Recent articles from music and business websites alike have been treating 2015 vinyl sales as if they were stock from a hot e-commerce company, praising their 32% growth and over $400 million in revenue. When analyzing the surge of vinyl sales, Forbes included a list of the top 10 best-selling albums of 2015, with a decent mix of classic albums and current artists that cater to several generations of music aficionados. In at number 10 was the Guardians of the Galaxy soundtrack. The cinephile in me was happy to see a movie soundtrack represented among Adele and Arctic Monkeys. Seeing as the GotG soundtrack consists of popular hits from the ‘70s, listening to it on a vintage audio device is apt. If you’re a Guardians purist, and argue that the ideal way to experience this soundtrack is on cassette, you’re in luck – Disney thought of you during 2014’s Record Store Day’s Black Friday Sale. Read More


body snatchers

by John S

IT’S LIKE THIS: This month, the Scarecrow Project is celebrating Earth Month by reviewing “World War Tree” movies.  Which, I guess, denotes films wherein plants and flora play some pivotal part, for better or worse, in the unfolding narrative. Our review today is the awesome 1978 entry in the distinguished and utterly creepy Body Snatcher series. Just like the 1970s themselves, this movie is gorgeous, colorful, freaky, terrifying, and bizarrely hilarious – all at the same time. It’s a hell of a trip, man.
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3 Women: An Extended Bechdel Test Dream

three women best

By Norm Nielsen and Melanie Reed

A film can be like literature, like music, or like a painting. Robert Altman’s 1977 film 3 Women looks like a soft watercolor landscape painting and evokes an oneiric mood. Gerald Busby’s atonal musical score is also designed to wrench the viewer out of normality. The psychodrama storyline is secondary to the tone, which shifts from humorous to sad, then to dread, and finally to defiance. Although it was written, produced, and directed by one of America’s foremost filmmakers of the New Hollywood Era, 3 Women feels very European, possibly because Altman modeled his approach on Ingmar Bergman’s Persona, Federico Fellini’s 8 1/2, and Luis Buñuel films like The Exterminating Angel.
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VIDEO: Kevin’s Big Score


by Travis Vogt and Kevin Clarke

Three days ago, a very nice man donated nearly 400 VHS tapes to Scarecrow Video. It’s Kevin’s job to go through and catalog all of these vintage delights, so we recorded him in the act. It turned out to be something like an archeological dig into both of our childhood memories. Well, that plus an opportunity for lots of Batman v Superman Zingers.

Kevin Clarke is the used merchandise guy for Scarecrow Video and Travis Vogt runs the blog.